Gaining Recognition

Building the CV

I'm happy to share that I was selected to be one of 55 photographers featured in Bloom Publishing's upcoming book, OPEN.

The photo they chose is from my Cementerio de la Chacarita series, and is possibly one of the best images, if not luckiest, I have ever created.

I've told the larger story about Chacarita Cemetery in Buenos Aires, but it is such an interesting place that each photo offers its own story. This is especially true with the photo chosen for OPEN.

Chacarita Cemetery is sprawling, with many sections, eras and styles to explore. In the heart of it all there is a chapel and a space for funerals to gather.

I approached the area looking for a restroom, having wandered the grounds for a couple of hours. It was hot, so I circled the shady edges of the buildings and peeked into open doorways.

The first large room I looked into was empty except for a pedestal awaiting a coffin, and a priest. I could see through the to the other side, and heard a funeral party gathering nearby.

I sensed the need to be even more delicate, and unobtrusive. It is one thing to peacefully stroll through resting places with a camera - it's altogether different when a family is laying someone to rest. 

So I continued down the back side of the building, retaining my invisibility. At a well-shaded inner corner, I saw a doorway into a chapel. The space seemed cool and airy, despite the bright and forceful summer day.

Door #1

I approached softly to look in, thinking the space might have a photo or two waiting. One step in, maybe two, I paused when I noticed the seated clergyman. I realized that he must be waiting to perform his duties, and was messaging someone, or browsing the internet, with his down time. 

My camera was up in a heartbeat - I didn't move from the spot, centered on the massive candle stand, and zoomed in enough to still include its full height. Occasionally I get the feeling that a photo is nearly perfect as soon as I capture it, and that was the case here. I quickly snapped the frame a couple of times to ensure that one would be appropriately in focus, and then backed away from the chapel.

What Does It All Really Mean?

The clergyman stood up not long after. I had chanced upon a rare moment, surrounded by aesthetically appealing elements that were both commonplace and surreal. The holy man pecking away at a ubiquitous, modern device, kept company by "plugged-in" objects such as the facsimile of a flame, created an image that many rightfully find ridiculous, while others may find it more profound.

I don't hold the same contempt for all of organized religion in the way that many do today, though I understand where the contempt originates from. There's a lot of beauty in it. Personally, I substitute cheekiness for the cynicism some feel about this image. The image resonates with me in a way that brings happiness and contemplation. A faceless clergyman prone to the same boredom and frivolity as any other human - are they texting God? Or swiping right on Tinder?

Depending on one's perception of religion, or connection to spirituality, this image can evoke cynicism or humility. The cynics aren't wrong. We often put too much faith in our intermediaries - the leaders with comforting answers. At the same time, we are all simply and incredibly human, seeking a route to communicate with what is real and true. Are we ornate, well-crafted implements at the receiving end of a power cord, drawing energy from the universe to recreate the elements of reality that bring us comfort?

Am I reaching? Doesn't matter. It's a damn good photo anyway.



Diana, Holga, and LOMO: Lo-Fi Toy Cameras

Cheap, Classic Film Cameras and Their Experimental Appeal

If you dig the retro, grainy, saturated look of the hipstamatic photo app for smart phones, you may be interested in the world of inexpensive, plastic medium-format film lo-fi cameras like the Holga or Diana F+. As well, photographers who want to loosen up creatively, or experiment with film might enjoy working with these lightweight, basic cameras. I obtained a Diana F+, and have enjoyed shooting some rolls of Kodak Portra 120 film around Portland, Maine.

Here's a brief run-down of some available toy cameras, and the emergence of lomography as a community and aesthetic.

LOMO & Lomography

LOMO LC-A shot by unknown LOMO enthusiast.

As I understand it, the LOMO LC-A started it all, and brought it all back. It's a Russian camera that some Austrians revived in the early nineties. They formed the Lomographic Society International, known broadly as Lomography. In their own words:

"Lomography is a globally-active organization dedicated to analogue, experimental and creative photography. With millions of followers and friends across the world, the concept of Lomography encompasses an interactive, vivid and sometimes even blurred and crazy way of life. Through our constantly expanding collection of innovative cameras, instant products, films, lenses & photographic accessories, we promote photography as an inventive approach to communicate, absorb and capture the world."

Holga

A Holga shot by Marky Ramone Go.

The Holga is the first toy camera I ever heard of. Despite sounding like a Scandinavian creation, the Holga was from China. Created by Lee Ting-mo in Hong Kong in 1981, it is largely responsible for the global swell of toy camera enthusiasts. The factory closed in 2015, and that is that. Luckily there are thousands to be found for sale, after its boom in the 2000s.

Diana

The Diana was also created in China, during the 1960s, and is now known as the Diana F+. Dianas are a little more pricey than Holgas, but they are lighter and smaller.

I own a Diana, and am very pleased with the balance it offers. Its photos have the lo-fi, bright appeal, but are often crisp and rich. The focus and colors are a little more accurate than with the Holga, but the corners are vignetted in the same manner.

It's a system camera that came with a flash, but I haven't used it. As with other toy cameras, it's all too easy to experiment with double-exposures — most of mine are accidental from forgetting to advance the frame. It’s my habit to not wind it, because of how I toss it in a backpack often, where it could fire).

It's possible to load film two different ways with a removable template. One results in 12 large square frames, the other produces 16 smaller square frames. I have yet to shoot a roll in the smaller 16 frame format.

 My gallery of successful Diana shots is below: